The Wine Rule Julia Child Refused To Break In The Kitchen

Published in Food and Wine on Saturday, July 26th 2025 at 19:27 GMT by Chowhound
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Julia Child was known for making French cooking popular in the U.S., and she often cooked with wine. Find out her most serious rule for cooking with wine.

Julia Child's Rebellious Stance on Wine: The One Rule She Flatly Refused to Follow

In the world of culinary icons, few figures loom as large as Julia Child. The towering American chef, author, and television personality who brought French cuisine to the masses in the mid-20th century wasn't just a master of butter-laden recipes and flawless techniques; she was also a passionate advocate for the joys of wine. Child's approach to food and drink was unapologetically joyful, often laced with humor and a rejection of pretension. Yet, amid her many endorsements of wine as an essential companion to cooking and dining, there was one longstanding wine rule that she steadfastly refused to abide by—a rule that has long governed the etiquette of wine pairing in both professional kitchens and home dining rooms. This refusal wasn't born out of ignorance but from a deep-seated belief in personal pleasure over rigid traditions. As we delve into the details of this culinary rebellion, it's worth exploring not just the rule itself but the broader context of Child's life, her philosophy on food and wine, and how her stance continues to influence modern attitudes toward drinking and dining.

To understand the rule in question, we must first step back into the annals of wine etiquette. For centuries, oenophiles and sommeliers have adhered to a seemingly ironclad principle: red wine pairs with red meat, and white wine pairs with fish or poultry. This guideline, often traced back to European traditions, is rooted in the interplay of flavors and textures. Robust reds, with their tannins and bold profiles, are said to complement the richness of beef or lamb, cutting through fats and enhancing savory notes. Conversely, lighter whites, with their acidity and subtlety, are deemed ideal for delicate seafood, preventing the wine from overpowering the dish. This rule has been drilled into aspiring chefs and hosts alike, appearing in countless cookbooks, wine guides, and etiquette manuals. It's a cornerstone of formal dining, one that promises harmony on the palate and elevates the meal to an art form.

But Julia Child, ever the iconoclast, dismissed this dictum with characteristic flair. In interviews, writings, and her legendary television shows like "The French Chef," she made it clear that wine pairing should be guided by individual taste rather than prescriptive rules. "Drink what you like," she would often say, emphasizing that the true essence of enjoying wine lies in personal satisfaction, not in following arbitrary guidelines. Child's refusal wasn't a mere footnote in her career; it was a reflection of her broader ethos. Born in Pasadena, California, in 1912, Julia McWilliams (her maiden name) didn't discover her passion for cooking until her late 30s, after marrying diplomat Paul Child and moving to France. There, immersed in the vibrant food culture of Paris, she enrolled in the prestigious Le Cordon Bleu cooking school. Her experiences in France, where wine is as integral to daily life as bread, shaped her views profoundly. Yet, even as she absorbed the techniques of French masters, Child rejected the snobbery that often accompanied them. She brought this democratic spirit back to America, where her 1961 cookbook "Mastering the Art of French Cooking," co-authored with Simone Beck and Louisette Bertholle, demystified complex recipes for everyday cooks.

Child's television debut in 1963 further amplified her message. On "The French Chef," she cooked with abandon, dropping ingredients, laughing off mistakes, and frequently sipping wine mid-recipe. It was here that her disdain for the red-with-red, white-with-white rule became most evident. In one memorable episode, while preparing a classic coq au vin—a dish simmered in red wine—she paired it not with the expected Burgundy but with whatever struck her fancy, often a crisp white or even a rosé. "Why limit yourself?" she'd quip to the camera, her distinctive warbling voice cutting through any notion of culinary dogma. This wasn't just showmanship; it was a deliberate challenge to the elitism that plagued the wine world. Child believed that such rules alienated novice cooks and drinkers, turning what should be a pleasurable experience into a source of anxiety. "If you like white wine with your steak, then by all means, have it," she once advised in an interview with The New York Times. Her refusal extended beyond pairing to other wine conventions, like serving temperatures or glass shapes, but the color-based rule was the one she most vocally opposed, seeing it as unnecessarily restrictive.

To appreciate the depth of Child's rebellion, consider the historical context of wine in America during her era. Post-Prohibition, the U.S. wine industry was still recovering, and attitudes toward alcohol were often puritanical. Wine was viewed as sophisticated but inaccessible, something for the upper crust. Child, with her approachable style, sought to change that. She championed affordable wines, encouraging Americans to experiment without fear of judgment. In her book "From Julia Child's Kitchen" (1975), she elaborated on this philosophy, writing that "wine is meant to be enjoyed, not analyzed to death." Anecdotes from her life underscore this point. Friends and colleagues recall dinner parties at her Cambridge, Massachusetts, home where mismatched pairings were the norm—Chardonnay with roast beef, Cabernet with salmon—and the evenings were all the merrier for it. Paul Child, her husband and a wine enthusiast himself, supported her views, often selecting bottles based on whim rather than tradition.

Child's influence extended far beyond her own kitchen. Her stance helped pave the way for a more relaxed approach to wine in American culture. Today, sommeliers and chefs increasingly echo her sentiments, advocating for "intuitive pairing" over strict rules. Wine experts like Jancis Robinson and Eric Asimov have praised Child for democratizing wine appreciation, noting how her refusal of the red-white divide encouraged experimentation. In modern dining, we're seeing this play out in fusion cuisines where a spicy Thai curry might be paired with a chilled red, or a grilled fish with a full-bodied Syrah—all nods to Child's liberating influence. Even in the realm of wine education, courses now emphasize personal preference, with instructors quoting Child as a beacon of anti-snobbism.

Of course, Child wasn't entirely anarchic. She did adhere to some wine principles, famously insisting that one should never cook with a wine they wouldn't drink. "If it's not good enough to sip, it's not good enough for the sauce," she'd say, a rule born from experience with subpar cooking wines that could ruin a dish. But even here, her emphasis was on quality and enjoyment, not rigidity. This selective adherence highlights her pragmatic approach: rules were tools, not tyrants.

In reflecting on Julia Child's legacy, her refusal of the classic wine pairing rule stands as a testament to her enduring spirit. She passed away in 2004 at the age of 91, but her message resonates in an era where food and wine culture is more inclusive than ever. Home cooks no longer fret over "perfect" matches; instead, they pour what brings joy. Restaurants offer eclectic wine lists that defy tradition, and apps like Vivino empower users to discover pairings based on taste profiles rather than outdated edicts. Child's rebellion reminds us that the best meals are those shared with laughter, good company, and a glass of whatever wine speaks to your soul.

This philosophy extends to broader life lessons. In a world often bound by conventions, Child taught us to embrace imperfection and prioritize pleasure. Whether you're a seasoned chef or a kitchen novice, her advice rings true: forget the rules that don't serve you, and savor the moment. As she famously toasted on her show, "Bon appétit!"—a sentiment that, paired with the right wine (whatever that may be for you), captures the essence of joyful living. Through her refusal, Julia Child didn't just change how we pair wine; she transformed how we approach the entire culinary experience, one rebellious sip at a time.

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